Activities in an 18th Century
military garrison or encampment were regulated by the drum (or music). Specific musical tunes and beats were used to
signal the soldiers to rise, assemble for roll call, inspection, and fatigue
(work) duty, collect food rations, and retire to their tents for the
evening. There were also calls for NCO's
and the Adjutant. Individual
soldiers were expected to "acquaint himself with the usual beats and signals of
the drum, and instantly obey them".1
Dewees details musicians' duties in his
memoirs:
Often the Orderly
Drummer would be ordered to beat up the "Adjutant's Call." The Adjutant, when
called thus, would answer to the call by his presence and would then receive
his orders from a superior officer. Sometimes the orderlies would be ordered to
beat up the "Drummer's (or Musician's) Call" at the hearing of which we (fifers
and drummers) would have to drop all and answer by our presence. Our duties
upon such calls were various. Sometimes we would be required to beat the Long
Roll, Roast Beef, the Troop or the General, and sometimes "The Rogue's March".2
von Steuben indicates:
The different daily beats shall begin on the right, and be
instantly followed by the whole army; to facilitate which, the drummer's call
shall be beat by the drums of the police, a quarter of an hour before the time
of the beating, when the drummers will assemble before the colors of their
respective battalions; and as soon as the beat begins on the right, it is
immediately taken up by the whole army, the drummer beating along the front of
their respective battalions, from the centre [sic] to the right, from thence to
the left, and back again to the centre [sic], where they finish.3
There
are a number of differences between an 18th Century and a 21st
Century re-created camp. The most obvious
is that no 18th Century camp would have (or encourage) the public
wander through. Similarly, work details
such as water, wood, and construction (fatigue) and foraging are each done at
the individual unit level in a re-created camp and not typically portrayed
according to 18th Century drum signals. Accordingly, duty calls which have no practical
use in a re-created camp have been omitted.
The duty calls described below are adapted
from the Orders of June 24th, 1776 Northern Army Head Quarters
at Isle au Noix (
|
Beat or
Call |
Meaning
& action |
|
Reveille5 / Morning Gun Open beating #4(drum)6 The Rose Tree ( |
Beat
to assemble the drummers (or music) from each company, usually 10-15 minutes
before a signal/duty is beat. Traditional
signal for soldiers to rise and for sentries to cease challenging. To
signal the opening of the camp to the public. This signal was created exclusively for re-created encampments. |
|
|
Traditionally
the signal for the first assembly of the day to read orders of the day, roll
call, and inspect the troops for duty. |
|
|
To
call the roll. To
signal inspection of the men & arms. |
|
Traditionally
beat at sunset for calling the roll, warning the men for duty, reading the
orders of the day and drumming culprits out of camp. |
|
|
To Arms13 |
Signal
to form immediately under arms on the Parade Ground. |
|
Traditional
beat to drum a culprit out of camp. |
|
|
Roast Beef10 |
Traditional signal
for mess group leaders to repair to the Quarter Master to be issued rations. |

1
Regulations for the order and discipline of the troops of the
2 History of the Life and Services of Captain
Samuel Dewees. By John Smith Hanna. Published by Robert Neilson,
3
Regulations for the order and discipline of the troops of the
A collection of standardized fife tunes and drum
accompaniment from the period 1775-1783 as used by the Brigade of the American
Revolution, edited by Ray Hauley,
William C. Bub, and W.H. Frueh. Brigade
of the American Revolution, 1988.
4 p. C-4
5 The English Duty p.C-2
6 p. S-13
7 p. M-8
8 p. C-4
9 p. S-1
10 p. S-1
11
p. S-1
12 English Duty p. C-2
13 English Duty (
(Drum p. C-4)
14 p. S-9